Buy paintings at your leisure online makes it easier

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There are many ways to buy a good painting. To buy paintings you need to find a good gallery or surf online. There are many websites online that have lots and lots of paintings from various artists all over the world for sale. The advantage to buy paintings from a website is that you can get a variety of choices to choose from and the websites are open to all kind of artist to upload their paintings for sale.

There is always a commission earned by the website or gallery who sell paintings. One can buy paintings to make an investment. There are many art collectors who buy paintings to make future profits. Some of the art collectors have their own galleries and they are looking for paintings from young artists which are unique and can add value to their gallery. These galleries also have their websites so you can take a look at the collection they have which they want sell.

There are many website where you can get the reproduction of the original paintings done by the famous artists like Pablo Picasso, Claude Monet, Leonardo Da Vinci and many more. These reproductions come in lesser price off course and they are made similar to the original paintings. The company that reproduces these original painting are the companies who would have permission to do so legally. When you buy paintings other than the paintings that are famous then you don’t have to worry about the authenticity of the painting.

In case you decide to invest in paintings then its better that you have through knowledge of art and its finer details, if not then the best advice would be to pay a professional for their service and make a good and genuine investment of your hard earned money. If you are buy paintings for decorating your house or gifting someone then you must check your budget and there are many websites online who sell paintings. You might look up someone in your town that is collecting art to sell and does the marketing online. Buy paintings at your leisure online makes it easier and better decision with regards to the colors in your house and you have a wide variety to choose from.

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Soniya gurg writes content about Art for sale, buy paintings, buy paintings, buy art, Art paintings for sale. For more information visit at: http://www.collegeartonline.com/.

Bullshido Websites Ring Exposed As A Google Adsense Scheme

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After two stories broke one last week and another a couple of months ago the heat on the “Martial Art” website ring of Bullshido dot com, Bullshido dot net and Bullshido dot org, it appears to be clear that the sole purpose of the websites are to rake in Google Adsense pay per clicks. According to reports the web ring leader Neal Fletcher of Missouri and literally a handful of members and paid posters took on the online identity of over one thousand supposed members. With these fabricated identities known as avatars, the posters went on a rampage over several years posting outlandish comments and taking online content from website owners without permission to gain favor with search engines / Google, so that they could be on the first page of every major martial arts teacher in the United States. Once on the first page they could command clicks from those who were interested in taking classes from the newly and in many cases unknowing martial arts schools and teachers. Each click ringing the cash register for Fletcher through his arrangement with Google Adsense advertising.

It is estimated that Neal Fletcher through his web ring and efforts from his tireless bashers have raked in well over two hundred and fifty thousand dollars at the expense of his martial art victims. When approached about the amounts involved Google refused to comment as of course did Fletcher who did not reply to our repeated attempts to contact him at his home where he operates the web ring. Fletcher while having an interest in martial arts has no known rankings and our research only found he was a student of Mixed Martial Arts and has a video on Youtube of him being beaten badly.

Interestingly enough the only martial art to escape being bashed and demeaned are those dong MMA, all others are slandered at will. We also found records of Fletcher doing business as an MMA clothing maker, so this would explain his promotion of Mixed Martial Arts via degradation of all other arts and its teachers.

The abuse of teachers and schools, as well as students, on the Bullshido web ring has become so vile to the public that several websites have started to appear to bring Fletchers nefarious activities into the light of day, and expose him and his Martial Sportists as the Bullshido members are known, to the light of truth. The members on the web ring have little or no formal training in any art, and many were rejected at the schools they attended , hence the name Martial Sportist, as only real students have the title of Martial Artist. You can lean more at http://bullshido.info one of the sites leading the way in educating the public on the hazards of these kinds of for profit hate web rings.

The very worst part of the Bullshido scam is that at times Fletchers group even impersonates the persons being attacked making them look stupid and guilty of whatever the outlandish claim of the moment is being tossed. But as long as shameful and unethical behavior makes money, we will have misleading sites such as these. Maybe someday the U.S Congress will wake up long enough to enact tough legislation to protect our individual rights on the internet. We can only hope.

Oklahoma Schools Arts Integrated And Learning Styles Go Hand-In-Hand

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Many people understand the importance of exposure to the arts. We love art; it is a necessary part of our society. In fact, for every culture and every society, art in some form or another is critical to how we live. For many, many years, arts programs have been cut in Oklahoma City Schools in efforts to divert funds to “more pressing” subject areas like reading and mathematics. While these are indeed necessary subjects for Oklahoma City Schools students to master, including an arts education in a student’s learning experiences can do nothing but improve their time attending Oklahoma City Schools, as well as contribute to the amount of success they see as a whole.

Most Oklahoma City Public Schools concentrate on teaching students in three ways; by showing them how to do things, by telling them the information they need, or by giving them opportunities to try things themselves (also known as visual, auditory, and kinesthetic learning styles).

There are, in fact, many learning styles as identified by Howard Gardner, psychologist and noted pedagogical theorist:

– Linguistic – “word-smart” – Interpersonal – “people smart” – Bodily-kinesthetic – “body smart” – Logical-mathematical – “math smart” – Naturalist – “nature smart” – Spatial – “picture smart” – Musical – “music smart” – Intrapersonal – “self smart”

More than ever, schools are realizing the importance of addressing all of these learning styles. Students attending certain Oklahoma City Schools are reaping the benefits of the commitment to providing educational experiences via these learning styles.

In efforts to give more and more students an education that addresses their specific learning style(s), some Oklahoma City Schools are integrating the arts into their programs. Following an “A+” model originally begun in North Carolina, Oklahoma City Schools are instituting their own arts integration programs. Originally a project of the DaVinci Institute, it is currently administered by the University of Central Oklahoma.

The model being used by Oklahoma City Schools looks at 8 different areas to improve arts integration in their schools:

1) Arts; 2) Curriculum; 3) Multiple intelligences; 4) Experiential learning; 5) Enriched assessment; 6) Collaboration; 7) Infrastructure; and 8) Climate

For teachers employed with Oklahoma City Schools, the program has been a godsend. All educators strive to “light the spark” and desperately want to reach all – 100% – of their students. For the instructional staff, of the Oklahoma City Schools using this model, discovering how to appeal to the different ways children learn has been exactly what they have been looking for.

Another impressive aspect of the program is the Oklahoma City Schools professional development that goes along with it. Instead of giving newly trained teaches the manual with the expectation that they follow the model, the A+ model provides extensive and ongoing training and support to all teachers new to the program. Oklahoma City Schools’ teachers focus on learning to work together, using research-based practices to establish curriculum that includes interdisciplinary themes that foster arts integration across classes as well as use Gardner’s various learning styles.

Clearly, Oklahoma City Schools are working to improve learning, one style at a time.

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Shashidhar Kote Being As Junior Yesudas (kote Music And Arts Foundation)

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Bengaluru Ratna, Gayana Mantrika, Vishwamanava, Gana Gandharva, Kannada Saarathi…that’s Shashidhar Kote for you.

The Kannada singer talks to Shruti Indira Lakshminarayana about his journey from Dakshina Kannada to Bangalore and being called ‘Junior Yesudas.’

How did music happen to you?

I was exposed to music and Yakshagana at a very young age. As years passed, I realised that I wanted to be a singer. With my father Kote Vasanthkumar’s support I came to Bangalore to live my dreams.

Did you give up your career as a teacher to become a singer?

Yes, I used to teach literature at Mangalore University. But lecturing to a large class meant straining my voice. I couldn’t afford to do that as I wanted to pursue music. It is my lifeblood. In fact, when I was on a past-life regression reality show recently, I saw that even in my previous birth, I was a singer. Apparently I was a singer in the Mysore maharaja’s court and had been honoured by him.

Did you go through formal training?

After coming to Bangalore, I took classical music training from Vid Gurudutt. Before that, I had trained with Satyabhame and Gopalkrishna Iyer. However, it is Balamuralikrishna and Yesudas who have inspired me a lot. Listening to them has been an education in itself.

Have you interacted with your idols?

I met Yesudas 15 years ago. He had liked my voice. I’m yet to meet Balamurali. S P Balasubramanyam is also one of my favourites and I’ve interacted with him when I went as a judge on Yede Tumbi Haduvenu.

How does being called ‘Junior Yesudas’ feel?

God has gifted me with a good voice, but I’m no match for a legend like him. People think I resemble him because I sport a beard too and sing a lot of his songs. But even though the songs are his, the style is mine.

What is Kote style?

Be it Kannada, Telugu, Tamil, Malayalam or Hindi, when I sing a song, I make it mine. I place utmost importance on presentation. I judge the audience and present songs accordingly. There is always a variety in my programmes — from film hits to folk songs and classical pieces. You’ll find a Vaatapi, Hendati Obbalu and Kuladalli Kilyavudo, all in one programme. I try and make my presentation lively. Also, people feel my pronunciations are clear.

Your ‘Geetha Chitra’ is also unique…

‘Geetha Chitra’ is the coming together of music and painting. Lending support to this concept is B K S Verma. He paints the subject of the song I sing. Take for instance Vaatapi. He’ll paint a picture of Ganesha as I am singing. We are a popular pair in Bangalore, Chennai and Mumbai [ Images ].

You have received several accolades. Which would you rate as your best?

I have given over 4,000 concerts. The compliments I’ve got for them are the true awards. I have had elders falling at my feet. Another unforgettable incident is that of a beggar giving me the alms he had collected. He was that impressed with the programme. It is the love of the people that matters at the end of the day.

Are you saying awards and titles mean nothing to you?

Awards are bought these days. If anything, awards should come looking for you. But recognition pleases me. It encourages me to perform better.

While you have given many stage shows, you are not all that visible in the film circles. Why?

I have lent my voice to Shivaleele and Aiyappa. But today’s music directors want singers to approach them and I have too much self respect for that. Also, I am busy and don’t consider playback singing my ultimate destination. But Kannada youngsters should be given a chance. Why bring Hindi singers when you have so much talent here? Even singers like S P Balasubramanyam have not been utilised properly. How long will Hindi singers remain a trend? Even their Kannada numbers sound so Hindi!

What do you think of the current film music scenario?

Most songs are not backed by good lyrics. Rhythm is ruling over melody. Everyone wants an instant formula. In this bid, capable music directors, singers and lyricists are being ignored. We are not coming out with evergreen songs like Ellelu Sangeethave or Kuladalli Kilyavodo any longer. In comparison, the Malayalam industry manages to churn out tasteful music even now.

What is your take on fusion music?

I see it more as confusion rather than fusion! Half-baked knowledge on part of musicians is responsible for this state.

And what about reality shows?

The SMS-voting system is playing spoil sport. The judges’ words should be final. I have judged shows like Little Star Singer, Sangeetha Lahari, Hadondu Haduvenu and Sangeetha Sambrahma and I can say that what we need is opportunity and not competition, more so in the case of children. It would also do good if the channels popularised folk and classical music, not just film songs through these shows.

Speaking of young talent, both you and your wife are artistes. Is your son Saagar also aspiring to be one?

My wife Seetha is a dancer and a television actor. But that doesn’t mean we expect our son to tread the same path. He has shown interest in music, but he seems more inclined towards direction. As parents, our duty is to support him. All that I tell him is to learn and respect his language — Kannada.

Any word of advice for aspiring musicians?

First of all they should understand that just by singing on S P Balasubramanyam’s show they don’t become SPBs! There is no short cut to success. Dedication and a good teacher are the key words. They should be well-informed about musical notes and grammar, and make music that touches people. Money will follow.

What are your other interests?

I act in television serials. I also endorse products occasionally. Going out with my family and watching movies and cricket with them keep me relaxed. I also follow news keenly. Listening to songs set to my favourite ragas Kalyani, Anandha Bhairavi, Hindola, Karaharapriya and Abhogi also keep me going.

What’s the flipside of being an artiste?

Any artiste’s life is complex and unpredictable. There is too much tension and running around to do. For a singer, maintaining his/her voice is a task in itself. But all the effort seems worth it when you are on stage.

What’s next from your side?

There are a few music albums. One will be a collection of Dasara padas and another of devotional songs. I also want to make an album of Bharatanatyam dance numbers. My big dream is to start a music and dance academy along with my wife and brother.

Blocks – The True American Martial Art

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When discussing the various martial arts and fighting styles from around the world, the little known urban system of 52 Blocks, a variation of the more broad style Jailhouse Rock, has to enter the conversation. Researchers Daniel Marks and Kammau Hunter have argued that Jailhouse Rock may in fact be America’s only “Native Martial Art.” With an African influence and believed to have originated in the 17th and 18th centuries by slaves, 52 Blocks went on to evolve in the streets of Brooklyn and US prisons. The style focuses on close quarter techniques, similar to those self defense situations found in environments like prisons, restrooms, alleys, and hallways where movement would be limited.

As mentioned above, 52 Blocks, also called “52 Hand Blocks” and “The 52’s”, is part of a larger collection of fighting styles referred to as “JHR”, or “Jailhouse Rock.” 52 Blocks and their variants are similar to the martial arts of capoeira and savate, both of which were fighting systems associated with urban criminal subcultures, which underwent a gradual process of codification before becoming established as martial arts accessible by the mainstream. Other variations from the JHR collection are Comstock, San Quentin style, Mount Meg, and Stato, each name in reference to the prison that it was started at. As it gained popularity and exposure in the earyl 70’s, Jail House Rock seems to have first showed up in the media in an article on Martial Arts in prison called, “KARATE IN PRISON: Menace, or Means of Spiritual Survival?,” in Black Belt Magazine from July, 1974.

Despite wide belief, 52 Blocks is not a style of Western boxing, nor is it Wing Chun mixed with Western boxing. Considered a defensive style that creates openings for offense through constant movement, the fighter blocks/catches punches with the forearms and elbows. Short power punches, flowing movement, and counter striking are all aspects of 52 that are emphasised, while using sharp and evasive footwork. Unlike boxing but similar to Muay Thai, the elbows are commonly used to strike the opponent.

Much of the argument and conflicting information about 52 Blocks stems from whether or not the style has been influenced at all by “uprocking” or what most of us call breakdancing. Some believe this link is the aspect of some of the fighting techniques inspired by or copied from the “diss moves” taken from the Brooklyn Rock or uprock style of breakdancing. It looks like you can find as many sources stating these links between 52 and urban dancing as you can to the contrary, making it the subject on 52 with the most conflicting information.

As many practitioners of 52 have felt that their system has long been overlooked, it’s now is starting to take its rightful place in martial arts history, the product of longtime growing media coverage. Jack Johnson, the first black heavyweight, is one of the high profile boxers to first endorse 52 and professional boxers including Mike Tyson Zab Judah, and Bernard Hopkins have testified to the existence of the style, giving it a voice of legitimacy from true fighters. Rashad Evans, former light heavyweight champion in the UFC, has also promoted 52 and its effectiveness.